He is always experimenting with format and technique, while keeping a consistent and recognizable style and subject.
He creates films using his charcoal drawings – he is an animator, yet remains firmly rooted and thriving in the art world. Perhaps because I arrived to animation after art, and have worked for years in the commercial realm, keeping one eye, hand and foot* in the more creative and artistic world, I admire his ability to do so and try to steer and navigate to do the same.
His installation, “The Refusal of Time,”from 2012, is a work about time, space and the legacies of colonialism and industry. He references early cinema, the science of time and imagery.
Lately I’ve been experimenting with anamorphic drawings, like the projections for his film “What Will Come“, which initially motivated me to revisit his work. Always inspiring – time well-spent
For those who fear that computers will replace us all, fear not…we are still more than a sum of huge data sets. The creativity and unpredictability in our world may be that which is our greatest asset.
Many are in favor of trying to develop creative streaks and problem-solving skills within AI networks. “New artificial intelligence systems are using adversarial networks to develop creativity and originality by more fluidly mixing and matching real-world information.” – Chris Baraniuk for Scientific American.
GANs are able to use the information and source material fed to it by humans to create a lot of new material, but guidelines are established to assist in the decision-making process. So the next step is to train the network on when to follow the rules and when to discard them and follow their own path. Exciting / scary? I think some of both.
These recent ads by Anomaly London and Blink Ink (Alex Grigg x Joe Pelling) for Bulb (a renewable energy company in the U.K.) are lovely in their comedic timing and delivery, and the simplicity of line. It’s a serious business: making energy renewable, greener, cheaper…delivered in a form that doesn’t take itself too seriously. The fan made me laugh out loud:
The Replicator works like a reverse CT scan, translating a 3D computer model into a full series (to describes the 360 degree rotation around the object) of 2D images that are projected into a container of resin – the areas of strongest light becomes solid. Article and video here! More flexible than layered 3D printing, and smoother results too. For medical applications this could be especially useful. Here’s to progress and always moving things forward.
Also, I read the news and I’ve been thinking about how deep biases and specifically racist tendencies can go in humans, and how that might show up in AI. If we can refine those algorithms and decision-making biases in the neural networks (which are, after all, loosely based on human brain connections), maybe we can redirect some human malfunction too.
These quotes are from an article by Cassidy Curtis (of Oscar-nominated Age of Sail) about Spider Man: Into the Spider-verse makes me happy…here’s to all those who keep pushing things forward, through art or whatever your field…it’s so needed and so worth it:
I found myself looking through the screen, senses buzzing, at the amazing team of artists and technologists who made it, people who really get it: the idea that when you take the art seriously, when you use every step of the process to amplify that artistic voice instead of sanding off its rough edges, when you’re willing to break the pipeline and challenge “how it’s usually done”, that’s when you can make something special, unique, and meaningful. This movie is a triumph, and every single person involved in making it should be incredibly proud. I see what you did, I know exactly how hard it was to do it, and I see you.
I also hope this marks a turning point for the animation industry. Listen to your artists. Trust them. Let their work shine on the big screen the way they meant it to look. And don’t let anyone tell you what “can’t be done” with the look of your film. The non-photorealistic rendering community has been building the technology to do this, literally, for decades. Let’s use it!
The great team at oddfellows created this fresh piece for Nike’s Battle-force,a day of hoops, street art, music, and dance. The theme was about process, so they “got to work and took a step out side of computer-comforts and spent the summer in scanner beds with spray paint and xacto blades.” This is the exciting edge to me lately (maybe it’s just the old school in me) – make the magic happen offline, and use the computer to edit add those final touches and polish.
The always impressive Giant Ant made this 2017 series to honor milestones in LGBTQ history for Pride month. Some great moments in the series, especially 5-4 Pt.1 – playing with perspective and scale, clean quick transitions between very different scenes, and reducing the amount of info to just what’s needed. Visual storytelling that doesn’t just mimic the audio, but also fuels the message.